Friday, December 31, 2010
Who Am I?
the way I like to read a book: slowly.
Sometimes one sentence in a day, and the sentence bounces around in my head, ricocheting off of the day's experiences, picking up layers of significance, unveiling truths, the fundamental truth being
that eveything
is like everything else.
I'm beginning to realize that Tom and I share a religion. A pure, unstructured truth.
How I cried when, in the book, a son who lived rich and arrogant fell from grace, and went to work long long hours in a kitchen. The mikveh of greasy suds was so purifying, he found his wholeness, came home to himself.
2010 had in it flights of illusory grandeur and a hard landing on sharp stones. Scraped, I purified by taking on all the hours offered to me, working with beautiful, holy, frenzied, hungry souls.
Often my work is one on one, and the sheer totality of my acceptance transforms each of them into the angel he really is.
Today, I had eight boys together. You see, the classroom teacher's husband surprised her with a special weekend trip, if she could get covered.
What a a rich day of learning it has been!
Eyes constantly on wiry brilliant D to make sure he didn't bolt suddenly from the school, as has happened. Daveedy can recite a whole movie in Hebrew and in English, but try asking him his name and where he is supposed to be.
D stayed with us today. That was my only concern. And he stayed with us.
But what I really want to process for myself was the morning meeting. I was intrigued that the boys weren't able to tell me the name of the school, and all the more, that they didn't know what Eretz, what country we live in. Can you imagine living in Israel, and not knowing it? It's time to work on a "Who Am I" Book for each boy, and a "We" book, establishing some sort of identity for this odd grouping of boys (to my view they should all be in regular classes with help, except for L. who can never, ever keep from singing, his open, pre-verbal voice vowelling loud through the thoughtscape until we all live in its power, without even hearing it, until I can still him for a brief moment and the silence is clear water.)
We took attendance, and stopped at the names of the two boys who were absent, to send , from our hearts to theirs, wishes for health and for a happy return to school when they are well. At each present boy's name, I mentioned a kindness, an act of helpfulness or sharing from the week.
A. was thrown off kilter by me talking with all the boys at once. He usually has me to himself. He started burping and putting his feet on the table and acting silly, and the aide made him go outside to think for awhile.
What a nice oppportunity, when he came back, to talk about the possibility of change. He went outside to think, and there he remembered who he is. He is A., a boy who takes part nicely in group meetings.
Let me too take time out when I need to, and remember who I am.
Later, during the kabbalat Shabbat, when we lit candles and blessed wine and challah, A offered me a piece of his cake. A pure act of friendship.
Throughout the morning we sang with the guitar, and especially as we welcomed Shabbat, we all sang Hine Ma Tov U Ma Naim Shevet Achim Gam Yachad.
And remembered who we are.
********************
Return again return again
return to the land of your soul
Return to who you are
Return to what you are
Return to where you are born
and reborn again
Return again return again
Return to the land of your soul
The Last Moments of 2010
Let me delight for a moment in the wondrous connection between Staszow, Poland, and Netanya Israel: that of Yerachmiel's children,
*Golda came to Netanya in 1930 to build Kibbutz Mitzpe Yam (Kibbutz Look-out-over-the-Sea) where they brought in refugees from boats in the dark of night, until they moved the whole kibbutz community to what's now Yad Mordecai.
*Ruchel had a store here in the 40's. Her granddaughter and family are at U of T, and visit with Mommy and Daddy in Toronto.
*Shimon went to Uruguay after surviving the war hiding in Staszow. All of his children, the gracious Yossi, Tola, and Flora, and their families, live in Netanya. And that's where we'll be dining tonight, bringing in 2011 with our mouths full of chocolate fondue with Israel's amazing red strawberries, our hearts full of gratitude.
*******************************************************************
Tomorrow, Kibbutz Beit Alfa with Uncle Abchu's children, grandchildren and greatgrandchildren.
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Wednesday, December 29, 2010
A Post-Geographical Decade
fires on sequential hilltops
relaying news of the new moon,
terse telegrams I still have from our 1973 wedding,
and now
cozy Skype visits
right into the living rooms
of dear far friends.
I must visit my next door neighbour one of these days.
But first, let me Skype with Jayda,
share coffee with her in her Calgary kitchen,
whisper soul to soul,
enjoy her eyes, her curls, the gentle music of her dear voice,
slip the surly bonds of place
in this new, post-geographic world.
Friday, December 24, 2010
Shareful Genes
Becoming Semilingual: An Oreo Oratorio
The post that comes after this, (since it was written before this one, for such is the sequence of blog posts; they grow taller each day like a plate stacker or tower of Oreo cookies, one on top of the other. The freshest one is on top) contains, perhaps for the first time in all the pages of all the blogs in human history, though I'd have to check, the terms "oratorio" and "oreo" in one sentence. These came together in my attempt to explain that there is no pure passive grammatical form in Hebrew. A (((((commercial ditty)))))) such as "Variety, nice in cereal, Variety, nice in a wife, Variety, nice at the breakfast table, Kellog's variety, spice of life". What is that called?
The words that come to mind are
slogan
chant
ditty
commercial
I'll keep you posted, as it were, as I think of the word.
caption? no
Three years away from the English speaking world, and I've become semilingual.
Mashiach from the pen of Handel
But here is my illustration of language colouring the way we think. There is no pure way of saying "by" in Hebrew, as in "we were brought out of Egypt by Moses", or "that fish was caught by Beno", or "a painting by Golda", or "The Messiah by Handel". You have to say, "at the hand of", or "from the pen of". You have to call this glorious music, "The Mashiach from the pen of Handel", as if to say the music is there, resonating through sea and palms, over forests and snowy mountains. The music was there from Creation (from the pen of Haydn, that one). Yes, the music surrounds us. The white noise of seawaves carries every Oratorio, every Oreo chant. The only question is, when will each of us hold our pen gently enough over blank, welcoming paper, and listen for it?
Now, does this humble quirk of the Hebrew language colour the way we think of human accomplishment? I hope so.
Tuesday, December 21, 2010
Toronto or Victoria? And the answer is: Yes!
that borders are arbitrary
that shoreline, horizon
are notions,
not stone,
liquid meeting sky
in an infinity
of infinite, intricate,
infinitessimally minuscule
exchanges,
liquid meeting solid
in similar infinities,
now he tells me
that in real life
we have to come down
on one side or the other:
I will be here.
or
I will be there.
Until we get old,
he says.
The graying of hair
brings with it privileges.
Black or white decisions
recede
to the gracefulness of gray
the grace of gray
Victoria or Toronto?
Yes!
Let the reach of my spirit's hands
grow as I age
Let me grasp surely
and loving,
both horns.
Let dilemmas
be possibilities.
Let me step on the cracks.
Let me say
a liquid, formless Shehechiyanu
on this summery solstice day
of winter
Sunday, December 5, 2010
Sunrise Beach Walks With Daddy in Bradenton
in the sock department at Sears.
Wake up! Wake up Daddy!
They couldn't find a pulse.
Daddy on the shoescuffed
department store floor,
just after Thanksgiving,
that moment when giftshopping
becomes
"Shop 'til you drop".
Dropped to the floor
and they couldn't find a pulse.
Wake up! Wake up Daddy.
Little,
I used to shake him from sleep
for a walk before dawn
on perfect beach sand,
five-year-old child in slept-on braids,
and my Daddy, who always woke up for me.
Only the sandcrabs were up before us
and the waves tickling beach.
Together we studied the boundary
'tween sea and land,
discovered there was none,
really.
And the sun rose gentle
over sea's distant line,
and Daddy taught me
that horizon was just a word.
There is no line
and there is a line
and we call it horizon.
He told me that the sun
didn't really disappear at night.
It was just the angle of our view,
the limits of our sight.
That there was no sunrise,
and that there was.
Neither of us invoked the word
miracle.
We'd go back for papaya and waffles
with Albert and Jane
(each papaya is not formally a miracle.
nor even is a papaya seed)
Daddy and Mommy
bought a lovely pair of shoes
and had just arrived at the sock department
when he fell to the floor
and they couldn't find a pulse.
He didn't explain to the ambulance attendants
about the boundary between sand and sea
or about sunrises.
He didn't talk about papayas.
He just told them he's a doctor
and knows what he's talking about.
He didn't go to the hospital.
Daddy and Mommy walked home.
And this is the miracle:
That Daddy walked home.
That the sun doesn't rise.
And that the sun rises.
That there is no line
between sand and sea.
And that there is.
And that Daddy is lighting the Chanuka candles tonight.
The Dolphin's Waterproof Suitcase
where are your shtetl albums,
the poems you stitched
to the updown rhythm
of a footpulsed sewing machine,
your knee beating updown time
to the threading of dreams?
I have no photo, no poems,
no dainty yellowing lace,
only this:
That you escaped Poland
crossing a river to dry land,
two-year-old Izzie
at first in your arms,
then up on your shoulders,
and then, as the waters deepened,
Izzie swimming along
That you and small Izzie
touched the other side,
not with the shirts on your backs,
for even these
There's no suitcase to look for.
You started again
And what you had was neat arrays
collective memories
the crossing of the Red Sea;
a shared family faith
in the inventive, energetic
bringing on of miracles,
the body rhythms
the pulse of the Song at the Sea.
And what did Miriam, sister of Moses,
pack
when she, before you,
left in haste? Skin of a lamb,
wrapped around
One item I know she carried:
Her tambourine. Necessity of life:
a rhythm instrument
to stir the women to wonder, rejoice
in the energetic, inventive
bringing on of miracles.
They arrived, feet dry,
at the shores of the Red Sea.
And here I snorkel
this sunrise morning
in blue waves of the Red Sea.
I swim alongside a silvery fish
masked in brilliant blue,
a sunyellow circle
symmetric round each eye.
We swim in rhythm side by side
til my fish darts deep.
He swims to the future
without a suitcase.
The symmetries of sunyellow, blue,
the silver swishrhythm of his tailfin
are the stories he'll carry forward
to his children's children.
No suitcase,wheeled or otherwise.
(Dolphins did not need
to invent the wheel
or the suitcase.
There is nothing they need to carry
outside of their skin.)
Sura Ettele, my Bubbe,
I have no photoes of your early days,
your mother.
My heart stitches rhythmic connection
to our shared great great grandmother
Miriam.
But where is your tambourine?
In the back seat of the car,
me a little granddaughter in braids,
you would tap a rhythm on my knee
for me to guess the song.
And I always guessed the song.
It is Miriam's song, the Song at the Sea!
It is the story
that needs no photographs,
the narrative of my pulse,
a rhythmic, durable,
waterproof faith
in the inventive, energetic
bringing on of miracles.
Saturday, December 4, 2010
Pictures and Letters from the Old Suitcase
my grandmother,
where are your shtetl albums,
your photoes,
the poems you stitched
to the updown rhythm
of your footpulsed sewing machine,
your knee beating updown time
to the threading of dreams?
What did you write about,
and what did you sew?
I have no photo, no poems,
no dainty yellowing lace,
only this:
That brides used to come to you
to sew for them.
That you escaped Poland
by crossing a river to dry land,
with two-year-old Izzie
at first in your arms,
then up on your shoulders,
and then
as the waters deepened,
Izzie swimming beside you.
That you and small Izzie
touched the other side,
not with the shirts on your backs,
for even these had turned to mud.
There is no suitcase to look for.
You started again
with what you had.
And what you had was
neat arrays
of double helix
symmetry,
collective memories
of an earlier journey,
the crossing of the Red Sea,
a shared family faith
in the inventive, energetic
bringing on of miracles,
the body rhythms
of your sewing machine's poetry,
the pulse of the Song at the Sea.
And what did Miriam,
sister of Moses,
pack
when she, before you,
left in haste?
Did she carry a backpack,
skin of a lamb,
wrapped around a few precious items?
What did a slave girl own?
One item I know she carried:
Her tambourine.
Necessity of life:
a rhythm instrument
to stir the women
to wonder and rejoice
in the energetic, inventive
bringing on of miracles,
and at the wondrous arrival,
feet dry,
on the other side
of the Red Sea,
the very Red Sea
where I snorkel
this sunrise morning.
I swim alongside
a silvery fish
masked in brilliant blue
a sunyellow circle
symmetric round each eye.
We swim in rhythm
side by side
until my fish darts deep.
He travels into the future
with no suitcase.
The symmetries of sunyellow and blue,
the silver swishrhythm of his tailfin
are the stories he'll carry forward
to his children's children.
No suitcase,
wheeled or otherwise.
(Dolphins did not need
to invent the wheel
or the suitcase.
There is nothing they need to carry
outside of their skin.)
Sura Ettele,
my grandmother,
I have no photoes
of your early days,
your mother.
My heart stitches
rhythmic connection
to our shared
great great grandmother
Miriam.
But where is your tambourine?
And suddenly I recall:
in the back seat of the car,
me a little granddaughter in braids,
you would tap a rhythm on my knee
for me to guess the song.
And I always guessed the song.
It is Miriam's song,
the Song at the Sea!
It is the story
that needs no photographs,
the narrative of my pulse,
a rhythmic, durable,
waterproof faith
in the inventive,
energetic
bringing on
of miracles.
,
Friday, December 3, 2010
Festival of Flame, and Flame Ravaging our Land
Blessing or curse?
One tiny flask of oil
lit the menorah
for eight nights.
A Miracle!
A flame is a blessing, a glow, a warmth, a gentle whisper that the Holy One is here amongst us, lighting our way.
And right at this same time, as we light the chanukiah and watch its sweet flames, three tonight plus the shamash,
flames rage through this beautiful land
destroying the trees
the trees planted by generations
of those who lived their hope
by sliding coins into a little blue box
that would plant trees in Israel.
What is fire? A blessing or a curse?
Yes
This helps us know,
there is not
"This thing is good"
"This thing is evil"
But
"To every thing there is a season
And a time to every purpose under Heaven"
Tuesday, November 16, 2010
Beans
Saturday, September 25, 2010
And Spread Over Us Your Shelter of Concrete
Monday, September 20, 2010
Every Home is a Sukka
always glimpsing a star or two
through cracks in the branches
above me.
Heifetz explained
why Jews play the violin:
you can run off with it
when necessary.
It's harder to lug a piano.
I am always almost packed,
and not yet unpacked.
I stand on one foot
ready to flee.
Dwellings for me
are temporary.
This year,
let me sit solid in the sukka,
let me build it sturdy,
and porous.
Let ancient guests and new ones
enter easy
to this joyous airy house.
Let light and wind
dance through.
Let me build it strong but trusting,
and know that that since nothing is forever,
and every home of mine
is a moveable feast
I can sit solid,
symmetrical,
in this present sukka,
two feet on the earth,
smell the etrog's fragrance entirely,
wave lulav evenly
to all the wooden corners,
to the earth below my bare feet,
to the stars calling down through grapeladen branches.
Let my voice rise
through spaces between the pomegranate boughs
to harmonize with my sisters' voices
in other lands.
Let my soul be large enough
to dwell squarely on the sukka's earth floor,
with roots in heaven.
Sunday, September 19, 2010
How Was the Fast?
Not fast.
***********************************
Spacious. Long enough to think many thoughts. Long enough to see a big picture.
***********************************
That opposites are the only truth, and contradictions create the world.
That Yom Kippur is the most solemn day, and the happiest.
Most solemn, because we ponder, examine, wonder why we missed the mark in so many ways this past year. If we have the courage, we talk out loud to the people we are close with, and repair our connections. But I also value the purity of the brief exchange with so many dear people this year, that simply affirmed that we are clear and clean and fine in our relationship, no need to bring out or reexamine this or that small hurt. An assurance that any smudges in our page are wiped clean now, that we can proceed from here fresh.
And so here were are! The happiest day in the year! A day that declares loud and clear that change is possible, that we can be new. No need to say, "That's the way I am. That's the way this world is." Yom Kippur says, "Imagine yourself. Imagine a world."
********************************
On Yom Kippur we are more angel than physical being. We wear white, fast, don't touch the ground. Eating and drinking and driving and working tie us to the physical world. On Yom Kippur we're all spirit. Hmmmmm. On Yom Kippur we are so physical. The last bites of food before the fast are so very delicious, so grateful, so beloved, so important, so noticed, so savoured. The last sip of tea. And then, well into the fast, how we fixate on that longed for gulp of cool water, the sweet first spoonful of cinnamon rice pudding, the feel of hot tea in our mug and on our tongue. How physical this body feels, all longing, all need, all thirst, all hunger.
Yes, opposites are the truth.
Happiness and longing
Spiritual beings in a physical world, physical beings in a world of ideas, concepts, natural laws, feelings, words, poems and air.
Opposites are the only truth. Before opposites, was to-u va vo-u, the void before creation.
And ceaseless creativity said, Let there be Light and Darkness!
Let there be opposites.
Let there be a world.
****************************
How was the fast?
Slow.
****************************
Rosh Hashanah, Head of the Year. Rosh Hashana is all in your head. But now the Yom Kippur fast, that most solemn and most happy of days. that day of envisioning how whole we can be, is done. Now we can eat and drive and get out our hammers and nails and schach and build a sukka. And a good world
Friday, September 17, 2010
A Good Fast
There is a sharedness to the fist gently pounding the chest, as we chant in unison, using the word "WE" and not "I". For the missing-the-mark we have commited by ignoring a person in pain, for the missing-the-mark we have committed by being too happy, not keeping a tiny tear-shaped space or broken-glass-shaped space in our happiness for the many people who are hurting at this same moment. For the missing-the-mark we have committed by not being happy, because we are told that even our hard work and our pain we should experience with joy. We are here. We are alive. That is a call to happiness. For the missing-the-mark will all commit by not being able truly to feel each other's feelings.
ROSH hashana it's called. For the intentions and promises and hopes for the coming year are in our Rosh, our head. Let us try to bring them into the world of action, over the course of the year. But the very fact that these hopes are in our head, for now, is a blessing.
Friday, July 30, 2010
Grateful
Thursday, July 29, 2010
Adam and Yoni
Monday, July 26, 2010
Sunday, June 27, 2010
Beginner's Mind
Wednesday, June 23, 2010
Creativity, Ceaseless Creativity
Why am I not seeing an initiative like this here in Israel? (Though maybe it exists and hasn't reached my ears). This Sunday at 7:00 p.m. people of all faiths will gather at Centennial Square in Victoria BC. Silently. Not to discuss rationally the best solution to the crisis in the Middle East. Not to convince each other of anything. Simply to BE together, "to come together and pray for quiet and tranquility to allow a new consciousness to emerge".
Any act of creativity, I imagine, requires a stillness, a quieting of the noise.
Healing, I am beginning to think, health, and peace, are each acts of concentrated, open, purposeful creativity. But not personal, rational creativity. More, an opening to the larger source, of ceaseless creativity.
Sunday, June 20, 2010
Tuesday, June 15, 2010
Human Being, not Human Doing
Sunday, June 13, 2010
Extraordinary Dailiness
Friday, June 11, 2010
Eretz
Eretz: the land. In the beginning God (read as "the ceaseless creativity of the universe, whatever organizing force juggles or paints or mirrors this universe into being) created the heavens and the earth. The phrase, "the heavens and the earth", ha-shomayim v ha-aretz, can refer to "the spiritual world and the physical world", so "eretz" here means "the physical world". According to Judaism, the physical world is one tiny tiny fraction of the world. The vast vast majority is the shomayim part, the world of ideas, dreams, history, future, interpretation, spirit, fantasy, principle, emotion, thought, hope. Physical world? Tiny.
Eretz. Earth. Physical world. The word "eretz" also refers to the Land of Israel, Eretz Yisrael. You would never hear someone say they are "b'yisrael", in Israel. Only "ba-aretz", in the land. There are two places to be: ba-aretz, in the land of Israel, and ba-chutz la-aretz, outside of the land of Israel. Honest. People travel to "chul", a short form for 'outside of the land", and they come back to ha-aretz. They come back. They always come back. Even if it takes them 2000 years, they come back to the land.
Eretz: land
Eretz zavat chalav udvash: A land flowing with milk and honey
Thursday, May 27, 2010
Packing for the Red Sea
Wednesday, May 26, 2010
Living Between the Lines
Susan Boron responded, "I'm here too. Nice chatting with you. Sometimes words aren't necessary. Love, S"
The soul is always praying,
even when we're too busy to listen.
The heart is always singing
even when we forget the words.
And sisters are always
holding hands.
It was not my wordy stories, my sunlit photoes, that brought my big sister Susie to reach out loud to me.
It was everything she read between the lines when all I could say was, "Here I am". My heart thanks you for here-ing me, Susie.
The little prince asked the pilot, "Draw me a sheep". The pilot, a grown-up, tried and tried, but no sheep he drew was just right. Finally the pilot drew a box, with small holes. "There's my sheep. Look, he's gone to asleep"
Monday, May 24, 2010
I'm here
Sunday, May 16, 2010
We Are the Children of Israel
Saturday, May 8, 2010
Eretz
Friday, May 7, 2010
Shalom
Monday, April 26, 2010
Metamorphosis
Or, is it that I am a butterfly, right now dreaming I am Nomi?
There is before benino, and there is after benino. And what was benino? All of the dream projects over the years seemed impossible to me, and I learned to relax to them and ride high to the skies. I learned to believe in the impossible. Sometimes the dreambutterfly lands briefly on your hand, and you can actually feel its powdery wings. I really did taste all those delicious bites, see those lovely plates coming out. Don't try to explain why a butterfly flies off again. Look! There it is, far off again.
Sunday, April 25, 2010
Sunday, April 18, 2010
Zikaron
Sunday, March 28, 2010
Making Room
I am inspired by Tzvi Freeman's daily offering. Of course, "God" here will be reinterpreted as the ceaseless bounty, ceaseless wisdom, and ceaseless creativity of the universe. Ceaseless though each of us may cease. Beginningless, without form or definition.
Tzvi writes, and think ceaseless creativity here:
Making Room
He is a very big God. As soon as you take up any space at all, there is no room left for Him.
But take up no space at all, and He gives you the entire Universe.
Thursday, March 25, 2010
In One Dewdrop
"......the science of dynamic systems, not static entities, enabling us to track the delicate structures and unifying principles underlying such complex realities as the irregularities in crashing waves, dripping faucets, waterfalls, heartbeats, and the collective song of your neurons." Rico
Each moment contains all of the moments of our lives. I see it so clearly today. I'm seeing madness on the small scale of our own lives, finding madness in the newspapers. Wondering if the human race is a two-year-old who was given the keys to the car.
Monday, March 8, 2010
Tuesday, March 2, 2010
The Soul is Always Singing
Thursday, February 25, 2010
Running in the Rain with Daddy
used to call out, "It's raining! Let's go for a walk." I loved walking in the rain with Daddy. And I loved how tonight's rain invited me to run in it. And I love realizing that when Daddy and I used to walk in the rain, he was thirty. And that Susie and I, the prairie flowers, are now, ourselves, twice that age. Rain rains, time flies, and our ears remember every drop.
Wednesday, February 24, 2010
Havayeda 2010
It was amazing, seeing Sharon in Israel. Since she lived here as a twenty year old student, filled with youth and possibility and love of the land and the dream, she took on that same youthful energy while she was here. My life is rich, for having shared in Sharon's last Israel visit. In this land, footsteps are never erased.
Friday, February 12, 2010
Be My Valentine
I love you
I puv you
and I love today's sorbetto, between courses: an oh so refreshing lime, basil and mint sorbet.
Can I pen a line that isn't about salmon steamed in a bamboo basket with a whiff of lavender, or chocolate souffle filled with a cinnamon and chili scented ganache?
Can I talk of something other than the sun bouncing off the fountains and onto our patio tables by day, or the gentle candlelight glow over white tablecloths at night, and the interesting people from all over the world who come in to taste our cicchetti?
Can I talk of love? Of the sweet voices of Mommy and Daddy on the phone today, of reductionism and of the microcosm? What if, like William Carlos Williams, I have figured out that everything really does depend on the splash of campari in the red grapefruit sorbet, and that I now know more and more about less and less and will soon see the entire macrocosm in a single prism of sea salt glinting from my foccaccia?
Wednesday, January 27, 2010
Quality
If this were a Bat Mitzvah, we'd say, "Ah! It all worked", and go to sleep. But Benino Bistro now setting the tables for Sunday breakfast.
Wednesday, January 13, 2010
One
Paracelsus
Listen!
Shma!
Saturday, January 9, 2010
Parallel Worlds
26 below in Calgary. 26 above in Netanya. I guess it evens out.
Rona in Calgary is teaching first person fiction writing. I'll try first person plural writing. There is Nomi1 who stays in Israel to doula Benino to its opening day, and Nomi2 who flies to Calgary to be with Tala on her special day. Surely both exist. I shall write the full and fictional story in first person bifurcated.
I'll spare the details of how they cloned me, a cell of the heart, or a fractal of the neshama, carefully duplicated, one of me dressed in a tank top and sandals, the other in winter boots, same eyes, same smile.
Nomi2 touches down in Toronto, walks with Mommy to bring tongue sandwiches to Uncle Izzy, compares mythologies with Daddy, and then flies to Calgary, where Tala sings and the angels smile. (Nomi1 sends a loving blessing by video, and receives a movie of the whole event). Nomi2 is so proud of how Jayda has mothered and nurtured and her beautiful Tala, and of how Tala mothers Jayda when Jayda needs a mother. And she is bursting with pride as she sees the wisdom and glitter of Tala, teaching us, delighting us, comforting us in the awareness that Jewish tradition will continue through her generation and on to the next. And then, while Nomi1 is busy in Tel Aviv, Nomi2 is singing with Janie, artsand crafting with Sunny and learning with Shlomo and Justin in Winnipeg.
Dear dear friends and family in Canada, I hope you will understand. It is probable now, that I will be postponing my Canada trip, in the real world. But the delicious planning we've done together, and gorgeous generosity of your welcomes to me, are as real as real.
Nor Skype nor phone nor email nor blog can come near the sheer and ancient power of loving imagination, to bring me right into your arms and into your warm and welcoming homes. I love you, and will see each of you in a not too distant time.
Wednesday, January 6, 2010
Writing First Person Fiction
My friend Rona Altrows is giving a course on writing first person fiction. We are currently booked to "go writing" together in Calgary on January 29.
I booked my Air Canada flight way back in the summer. What prompted me was Tala's teacher's comment, "When Tala sings Torah, the angels weep". Jan 21 to Feb 10 was far enough in the future to be abstract, fictitious. And then Benino was conceived, with a projected opening date of December 15. Could I leave Beno and Benino alone a month after opening? I would decide, closer to flight date. And then the opening was postponed to who knows when. The place looked upside down, all sawdust and dream. This restaurant will never open, it felt to me. I'll fly to Canada and fly home to Israel. ( Did "I" say "home to Israel"? Has it happened? Oh, home is where "I" is. I am able to say, "I'll fly home to Canada for three weeks and then come home to Israel".
Now, suddenly, the restaurant is set to open on January 21. Maybe.
"Does that mean you're not coming? " Oh my. I'll sleep on it tonight. Air Canada tickets are changeable, with a small fee.
So here's where the first person fiction idea comes in: in the event that I cancel my trip home to Canada because I have to be home for the opening of Benino, I shall write the trip as a work of luscious fiction, that sweet loving feeling I have when Mommy pops in to 2406 in the early morning, to see if I'm up yet, and to tell me to come over for branflakes and coffee and Globe and Mail and CBC. I love those mornings with Mommy and Daddy at the round table, glassed in high above the snowy world, looking down over the planetarium. I'll write the story of my first hug with dancy acrobat Sunny, my tour of Shlomo's coin collections, my walk in snowy streets with Janie. I can Skype duets with Janie, read the Globe and Mail on my computer screen, hear CBC by internet radio loud and clear. I can imagine my trip to ice and snow, picture myself in all the scenes, see Picasa slideshows of Bitsy's new house, send my love, as I always do, to Larry and to Izzie. I can write the fictional story of my trip to Canada, if I don't make it. It will be a beautiful story. But sad.
Monday, January 4, 2010
Dreams Have Lost Some Grandeur Coming True
points out to me that it's perfect because it didn't have a chance to be played out, to touch air, to be tarnished. A table never eaten at has no winespills, no creases in the tablecloth, no crumbs. Yoni points out to me that that unborn, unrealized untarnished event exists perfectly in the conceptual world, the world of ideas.
At conception, Benino was all grandeur, delight, a clean,and perfect dream. The menu was limitless, an infinite and sumptuous feast. Where is Benino now? The dream waits somewhere, hiding from the bang of nails into wood, the daily hagglings over this permit and that one, the dilemmas and the delays. Reality, when its birthing time arrives, will be more tasty, more filling, than all the perfect dreams in the world.
I love the world of ideas, that uncreased place where everything is possible.
But the physical world is where we live.
Dreams will lose some grandeur coming true, and the physical will never ever be exactly the way the dreamplan blueprint promised.
But reality is tastier.
And quenches the thirst.